What is the cover of Unknown Pleasures?
The cover of “Unknown Pleasures” is simple. It’s a diagram of a series of pulse waves, stacked in white, over a background, and centered, as if in a box held static in space.
Who designed Unknown Pleasures cover?
designer Peter Saville
A few years ago, the cover was the subject of a four-minute documentary, Data Visualization Reinterpreted: The Story of Joy Division’s “Unknown Pleasures” Album Design, in which graphic designer Peter Saville ruminated on the cover and pulsars (a star that emits repeating series of radio waves similar to a lighthouse …
Is Unknown Pleasures a concept album?
The cover artwork was designed by artist Peter Saville, using a data plot of signals from a radio pulsar. It is the only Joy Division album released during lead singer Ian Curtis’s lifetime….
Unknown Pleasures | |
---|---|
Genre | Post-punk |
Length | 39:28 |
Label | Factory |
Producer | Martin Hannett |
What genre is Unknown Pleasures?
Alternative/Indie
Rock
Unknown Pleasures/Genres
Is the Joy Division album cover from alien?
So yeah, there it is: an iconic Joy Division cover was ripped off from research about alien fireworks, or something to that effect.
Why is Joy Division so popular?
Joy Division’s legacy is of the calibre that few musical acts ever get to experience. The artwork, imagery, and gloomy sound of Unknown Pleasures exist as iconic cultural touchstones, transcending just the musical world.
What album is transmission on by Joy Division?
Unknown PleasuresTransmission (The Factory, Manchester Live 11 April 1980) / Album
How many copies has Unknown Pleasures sold?
For all the myth-building, the robust content strategy and the legacy of one of the most important acts in rock history, this iteration of Unknown Pleasures sold just 8,531 copies.
What’s the big deal with Joy Division?
What is the Joy Division cover?
In simple terms, the image is a “stacked plot” of the radio emissions given out by a pulsar, a “rotating neutron star”. Originally named CP 1919, the pulsar was discovered in November 1967 by student Jocelyn Bell Burnell and her supervisor Antony Hewish at Cambridge University.