What is retrograde remediation?

Full-length animated films, especially the Disney films of the past decade [1990s], are perfect examples of ‘retrograde’ remediation, in which a newer medium is imitated and even absorbed by an older one. (

What does remediate mean in English?

Definition of remediate (Entry 1 of 2) transitive verb. : to make (something) the target of remedial action : to provide a remedy for … the process of removing the spent fuel, draining the holding pool, remediating the site, and treating contaminated groundwater.—

What is Bolter and Grusin theory of remediation?

Murray also says that the theory of remediation, advanced by Jay Bolter and Richard Grusin, defines a “new media” which always reconfigure older media, and emphasizes that digital forms both borrow from and seek to suppress earlier forms.

What is the double logic of remediation?

The answer to this appeals to what they call the double logic of remediation. This double logic refers to two seemingly contradictory impulses that are work in new media forms: immediacy and hypermediacy.

What is immediacy According to Bolter and Grusin?

According to Bolter and Grusin, the drive for immediacy is the desire for “a transparent interface … one that erases itself, so that the user would no longer be aware of confronting a medium, but instead would stand in an immediate relationship with the contents of the medium” (318).

What is the theory of remediation?

Bolter and Grusin (2002) define remediation theory as the belief that new visual media acquire cultural relevance best by integrating and refashioning older established media forms.

What is the difference between mediation and remediation?

As verbs the difference between mediate and remediate is that mediate is to resolve differences, or to bring about a settlement, between conflicting parties while remediate is to correct or improve a deficiency or problem.

What is immediacy and Hypermediacy?

While immediacy seeks to erase the creator and interface, hypermediacy brings the mediation of content to the fore: “the logic of hypermediacy acknowledges multiple acts of representation and makes them visible” (328).