What does overdubbing mean in audio?
verb (used without object), o·ver·dubbed, o·ver·dub·bing. to add other recorded sound or music, as a supplementary instrumental or vocal track, to a taped musical track to complete or enhance a recording.
What is overdubbing used for?
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder.
What overdub means?
Definition of overdub (Entry 2 of 2) transitive verb. : to transfer (recorded sound) onto a recording that bears sound recorded earlier in order to produce a combined effect.
Is overdubbing same as double tracking?
Another classic technique in recording is called double tracking. It’s a type of overdubbing where the musicians layer additional takes of the same part on top of each other. The resulting sound is thicker and has a natural modulation effect from the small differences in pitch and timing.
Should I always double track guitars?
As a general rule, you should not always automatically double-track guitars. You should double-track guitars when you want a guitar part to sound wide and fill the stereo space. This especially applies to rock music. Double tracking is most appropriate on rhythm guitars, much less on lead parts.
Should I double track clean guitars?
It depends on the song. It also depends on the guitar and sound you are looking for. When I record acoustic guitars I do two complete takes with same guitar then play with the pans. On some songs a wide pan works and on others a much closer spread works better.
What mic did the Beatles use?
The Beatles used a variety of microphones for live PA sound. Photos in the Shure archives show the Beatles using the Shure 545, the Shure 546, and the Shure 565. The same Shure models are also in photos from recording sessions.
What Reverb did the Beatles use?
In addition, in the same set, the Abbey Road Plates (a modified version of the EMT-140) and Abbey Road Chambers offer emulations of the two artificial reverb methods The Beatles were using in the ’60s. The most beautiful example of the use of chambers is in Lennon’s vocals throughout the song “A Day in the Life.”